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Cake day: June 12th, 2023

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  • 20+ years writing code have taught me a few things. The first and most important is that every code base, given enough time, will end up being difficult to maintain and full of things you hate. And you might have written some of those things yourself. And I think that’s fine. Striving for perfect, clean code is impossible, because the understanding of what that means changes over time. Code needs to do its job and be reasonably easy to maintain. That’s what I strive for these days. And if that is too boring for you, you’ll need to find a new job or write open source software. A company that decides to pay you isn’t usually looking for your ideas about which tool or paradigm you get excited about. They want you to make them more money than they pay you. You can bemoan that, but it will be as effective as complaining that water is wet. I actually enjoy solving problems and luckily as tech lead I still get to do that, because they pass the real hard problems on to me. That’s enough for me to enjoy my job. Of course the money helps too.












  • Requiem for a Dream (2000), although the ending doesn’t exactly come as a surprise.

    Grave of the Fireflies (1988), an anime by Studio Ghibli. It begins with the end and since I had kids I cannot watch it anymore.

    The Road (2009). I’ve only read the book and cannot bring myself to watch a movie based on that.

    Hamlet (1996) and Titus (1999), both based on plays by Shakespeare, don’t end well for anyone.

    Nightcrawler (2014) was surprisingly good and Jake Gyllenhaal is very good at being sinister.

    Synecdoche, New York (2008) is one of my favorite Kaufman movies with the great Philip Seymour Hoffman.

    The White Ribbon (2009) is one of my favorite movies of all time. It depicts life in a small German village just before World War I with a focus on the children.

    The Seventh Continent (1989) is from the same director as The White Ribbon, Michael Haneke.

    Dancer in the Dark (2000) from Lars von Trier with a great performance by Björk. It really is a lot better than you might think.

    Edit: Come and See (1985) is a movie that greatly affected me that should not be missing from this list.

    I’ve also heard good things about Gaspar Noe, but I haven’t yet seen anything from him.



  • I think this, for outsiders, sudden leap in AI capabilities will also over time cause us to re-evaluate how we ourselves operate. What does it mean to be creative? Humans are mostly incapable of saying why they did something, because so many things factor into it. Down to how we felt in the very moment we did it. But the same is true for current AI models. Nobody can say why they did what they did. And they will only become more complex in the future. Sure, you can come up with definitions of creativity that exclude AI on purpose. But I think we just overestimate and glorify human creativity, probably out of arrogance and fear of becoming obsolete. Almost everything humans create is derivative to some degree. I’d argue that extremely few artists in the entirety of human history have created something truly new. Everything is built on and influenced by previous art and the artist’s experience. Sure, AI is not quite as complex as a good human artist. But give it some time. Like I said, AI evolves a lot faster than we do.