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Cake day: June 11th, 2023

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  • Honestly, I think this has more consistently been Star Trek’s approach. Early TNG was the exception. It really pushed for an “evolved humanity” model for Star Trek, where something has fundamentally shifted in our collected psychology. Examples like Dr. Crusher speaking like its remarkable that people used to fear death, or Picard dismissing religion as childish superstition come to mind as particularly strong hints that we’ve changed a lot.

    But later Trek pushes against this: DS9 with it’s murky way arc, Voyager with episodes like Equinox and Scorpion, and even late TNG with Pegasus and Journey’s End. They are all more likely to see the “evolved human” as something to be tested by the story, with the drama coming from the possibility that it might fail that test.

    And I think this is for the best. If humanity is too evolved and too perfect, the series can feel a bit heavy on U.S. exceptionalism - with the very American coded Starfleet going around to other worlds to fix and moralize about other peoples’ problems, but never needing to self-reflect or improve on themselves. I think a healthy balance is needed to actually model the qualities that allowed humanity to improve in the first place (and that we really need to see more of in the world now).









  • Since you’ve already watched the relevant parts of Discovery, I’d recommend SNW. It spins off directly from Disco season 2, but it’s more episodic and has a wider tonal range. Some episodes are dark and serious, some are plain goofy. Overall you’ll find it much more light hearted and adventurous than Disco.

    Otherwise, I’m a big supporter of starting at the beginning. Give a few episodes of TOS a try. Yes, it’s a product of it’s time, but it still holds up as great TV. It’s also one of the few Trek shows that really hits the ground running quality wise - the '90s series tend to take a few seasons to rev up.





  • I thought the crossover element of Generations really brought it down. The original cast had a far better farewell in Star Trek VI, and I don’t think the writers of Generations had enough to say about Kirk’s character to justify the tortured story logic that brought him in.

    Give me a Kirkless cut and I’ll be so much happier. All the pure TNG elements work fine for me, McDowell is great, and the D looks beautiful with cinematic lighting.






  • Picard is super relevant, though. If we’re talking about an alternate reality where Picard S3 never happened, then yeah, I’d agree that complaints about nostalgia are a little over blown. I don’t see why that would be a discussion worth having, though. Picard did happen, and so did a whole lot of discussion about a possible Legacy show, and if you’re wondering why you hear complaints about nostalgia, that’s a big part of why.

    That’s not the entirety of it, though. Outside of Picard, I’ll say that Strange New Worlds and Lower Decks absolutely trade heavily in nostalgia. I can’t agree with your view that either don’t count. Having a fresh style doesn’t change the fact that SNW is set on the classic Enterprise and is continuing to introduce more and more classic Trek characters. And Lower Decks built a whole episode around the reuse of a specific cave set from TNG, of all things. A huge amount of its humour and appeal is definitely based in nostalgia.

    I will say that it looks like Starfleet Academy on a good course to do it’s own thing, Picardo notwithstanding, so I’m not saying the franchise has gone completely bankrupt or anything. I just think there’s enough nostalgia going around that it’s pretty valid to feel a little put off by it if one is so inclined.


  • It’s more about the trajectory of nuTrek than the whole of it. Discovery and the first two seasons of Picard did try to do new things and move the franchise in new directions, but now Discovery is cancelled in favour of SNW and Picard season 3 discarded so much the first two seasons had done in order to dive into nostalgia hard - and its success led to a lot of speculation about a “Star Trek Legacy” series that would double down on the fanservice approach even further. So it does feel like there’s a trend towards “safer” nostalgic content.

    And sometimes even fairly minor things just rub me the wrong way, like the Daniels reveal in Discovery. They just feel so arbitrary, and make the universe feel so mush smaller for no purpose.